X VISION
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Transparent LED facade at HUGO BOSS Ginza, delivered by X Vision Tokyo
TOKYO / JAPAN TEAM · FLAGSHIP LED SYSTEMS

Flagship LED systems,engineered in Tokyo.

X Vision is a Tokyo-based LED and audiovisual company for permanent installations, transparent façades, live environments and ambitious custom formats. We bring product selection, engineering, content and aftercare into one accountable delivery team.

Discuss a live projectExplore flagship systems
Up to 7,680 Hz*Cleaner motion and fewer camera artefacts in high-spec configurations
Rec.2020 / DCI-P3*Wider colour capability, selected and calibrated for the content
15–22 bit*Smoother tonal transitions and more detail in dark imagery
End-to-endProduct, structure, image, delivery and after-support connected
IN TOKYO · SEPTEMBER 2026

See how LED can reshape sauna and wellness space.

X Vision presented at Sauna Fair within LIFE × DESIGN at Tokyo Big Sight, showing how permanent LED, transparent surfaces and carefully controlled content can add atmosphere, orientation and storytelling without making the architecture feel like a conventional screen installation.

VENUETokyo Big Sight, Tokyo
DATESWednesday–Friday, 2–4 September 2026
EVENTLIFE × DESIGN / Sauna Fair
STATUSExhibited · September 2026
X VISION SYSTEMS

One accountable team.From screen to operation.

A premium LED project succeeds when product, mounting, power, processing, content and maintenance are designed as one. We connect those decisions before the final system is selected.

01 / PERMANENT SYSTEMS

Permanent LED that belongs in the architecture.

MicroLED, fine-pitch indoor LED, transparent façades and outdoor displays planned with structure, power, heat, service access and calibration in mind.

02 / RENTAL & LIVE

AV rental for events, exhibitions and live spaces.

LED systems, technical coordination, content playback and VJ collaboration for experiences that need to look coherent—not assembled from unrelated parts.

03 / PRODUCT & R&D

Products developed for a real use case.

From ultra-light MicroMesh to artist-focused Module Box systems, we work with partners to adapt hardware, control and service design to the project.

04 / CONTENT & OPERATION

The image continues after installation.

Playback systems, video formats, calibration, operator guidance, content/VJ coordination, maintenance planning and practical after-support.

TOKYO-BASED / JAPAN TEAM

One Tokyo team, from specification to delivery.

X Vision brings product direction, engineering coordination, installation planning, content and live-visual partners into one accountable project direction. We work from Japan and assemble the right local and international team for each site.

PERMANENT-FIRSTArchitecture, structure, processing, content and support considered before handover.
INTERNATIONAL COLLABORATIONJapanese project discipline, multilingual coordination and the right partners for the location.
BUILT TO BE OPERATEDCalibration, training, spares and after-support included in the system plan.
WHY FLAGSHIP

Flagship is a system standard—not one headline number.

Refresh rate, colour, grayscale and protection only matter when the complete signal path and physical installation preserve their value. We explain what each choice changes in the real space.

FLAGSHIP SYSTEM

ASTRA

High refresh, deep black and wide-colour configurations for premium close viewing. 7,680 Hz helps reduce visible flicker and banding when cameras or fast motion are involved.

ASTRA LED system
FLAGSHIP SYSTEM

CORE-21 / CORE-31

CORE-21 is a purchasable high-resolution platform for rental and live use. CORE-31 is built for permanent outdoor projects, with weather protection, brightness, thermal design, structure and service access defined for the site.

CORE-21 / CORE-31 LED system
FLAGSHIP SYSTEM

ONE Air / MicroMesh / Astra

ONE Air brings a slim 16:9 all-in-one format to residential, meeting and hospitality spaces; one completed installation took under three hours for physical setup, with site conditions varying. MicroMesh Tour stays below 8.0 kg/m² at P3.9 × 3.9 including cables, while Astra supports refined permanent indoor formats.

ONE Air / MicroMesh / Astra LED system
QUALITY MANAGEMENT / LONG-TERM VALUE

Quality is managed beyond the product sheet.

For each project, we define the checks that matter—from delivered configuration and image setup to documented handover, spares and service planning.

01 / VERIFY

Check the delivered configuration

Incoming condition, display and electrical operation, plus relevant ageing or environmental records, are reviewed against the agreed scope.

02 / CALIBRATE

Tune the image before handover

Brightness, colour, grayscale, processing and signal behaviour are set for the site, content and camera requirements.

03 / EXTEND

Design for a longer service life

Serviceable modules, planned spares, repair-first decisions and efficient operating settings help reduce avoidable replacement and waste.

Available checks, records, packaging options and support vary by product, site and agreement.

LED LEARNING CENTER

If pixelation is even a concern,begin with ASTRA.

Do not let a single viewing-distance rule decide the whole project. We compare the nearest viewer, total canvas, source resolution, camera use, architecture and budget—then show what the difference looks like in the real space.

CLOSE-VIEW FLAGSHIP / MICROLED A SERIES

Choose confidence at the distance people will actually stand.

ASTRA uses extremely small LED packages across P0.4–P1.8 class configurations. For many premium rooms, P1.2, P1.5 or P1.8 can deliver the right balance of visual continuity, scale, serviceability and cost without specifying a finer pitch simply because it exists.

  • 7,680 Hz*—Helps reduce visible flicker, scan lines and banding in demanding camera and motion conditions.
  • HDR + wide colour*—The display, controller, source, colour space and calibration must form one compatible signal path.
  • Complete system—Structure, power, thermal design, processor, signal backup, calibration, spares and after-support are planned together.

Available pitches and performance vary by model and project. We confirm the proposed configuration against the real viewing, content and operating conditions.

CREATIVE LIGHTWEIGHT / MICROMESH TOUR

Built to travel. Designed to disappear.

MicroMesh Tour at P3.9 × 3.9 is below 8.0 kg/m² including cables. Its fast cabinet connection and cable-minimised interconnection simplify rigging, transport and creative layouts while keeping equal horizontal and vertical resolution.

  • < 8.0 kg/m²—MicroMesh Tour reference weight including cables at P3.9 × 3.9.
  • Installed-load comparison—A fair comparison includes cabinets, power, cables, frames, rigging and protection—not the panel alone.
  • Creative potential—Façades, stages, retail, hospitality, education and interactive installations can become active visual surfaces.

Comparison ranges are indicative only. Power supplies, frames, rigging, protective systems, pixel pitch and cable scope must be aligned before comparing products.

Five decisions that protect image quality and project value.

We translate specifications into consequences your team can review: what viewers see, what cameras record, what the structure carries, and what operators maintain.

01 / DISTANCE

Start with the nearest viewer

Pitch matters most at the closest realistic viewing position—not an abstract industry rule.

02 / CAMERA

Design for capture

Refresh rate, shutter settings, scan behaviour, processor and brightness all affect filmed results.

03 / COLOUR

Build one colour pipeline

HDR and Rec.2020 capability matter only when content, playback, processor and calibration support them.

04 / STRUCTURE

Count the complete installed load

Display, frame, power, cabling, service access, wind, heat and site conditions belong in the calculation.

05 / OPERATION

Plan continuity

Signal redundancy, spares, training, warranty scope, remote support and response procedures reduce downtime.

Practical LED questions, answered clearly.

Clear answers help teams compare systems without being misled by a single headline specification.

Should we always choose the smallest pixel pitch?

No. The right pitch is the finest one that materially improves the experience at the real viewing distance. Screen size, content resolution, cabinet format, serviceability and budget must be considered together.

Does 7,680 Hz automatically mean a better picture?

Not by itself. Higher refresh can improve camera compatibility and motion, but the complete display configuration, processing, operating brightness, camera settings and calibration still determine the result.

Does HDR or Rec.2020 work with any content player?

No. Source material, player, output format, controller, display configuration and calibration must all support the intended signal. Capability also varies by product and configuration.

Is MicroMesh always lighter than another transparent LED?

MicroMesh Tour is below 8.0 kg/m² at P3.9 × 3.9 including cables, but a fair comparison must use the same area and include cabinets, power, cabling, frames and rigging.

What does X Vision include beyond the display?

Depending on scope: product selection, structural and electrical coordination, processors, signal design, installation partners, calibration, playback, content/VJ coordination, training, spares, warranty and after-support.

Can LED become more than advertising?

Yes. It can work as an architectural surface, social focal point, high-impact monitor, learning environment, interactive artwork or operational visual system when content and use are designed with the hardware.

SELECTED EXPERIENCES

Proof lives in the space.

Residential, retail, art, hospitality and live environments reveal different requirements. Our work starts with the use case and continues through delivery.

Komazawa residence with a wall-scale P1.2 MicroLED installation
KOMAZAWA / P1.2 MICROLEDA wall-scale display that reads as another architectural opening.
Transparent LED façade at the HUGO BOSS Ginza store at night
GINZA / TRANSPARENT LEDA transparent LED façade integrated with retail architecture.
Synchronized LED visuals at X Vision REMX
REMX / LIVE VISUALSSynchronized LED, music and VJ direction surrounding the audience.
LED experience in the Apero wine showroom
APERO / HOSPITALITYWine, food and light composed as one social experience.

Built, installed and operated by people who understand the whole system.

The finished image is only one part of the work. Installation discipline, cabinet detail, content collaboration and a dependable team determine whether the system succeeds after opening day.

X Vision technical team installing an LED project in Ebisu
INSTALLATION / EBISUTechnical delivery on site
Installation of the P1.2 MicroLED system in Komazawa
MICROLED / KOMAZAWAP1.2 installation and alignment
Technicians in front of an immersive MicroLED scene
IMMERSIVE SYSTEMA space surrounded by synchronized LED
X Vision core team walking through Shibuya Tokyo
TOKYO TEAMFour disciplines, one project direction
X Vision REFRAME art exhibition
REFRAME / ART & CULTUREAn exhibition platform renewed through technology
Wine served on illuminated LED tables during X Vision REMX
REMX / HOSPITALITYLED tables, music, wine and live visuals

© X Vision Co., Ltd. Images and project materials may not be reproduced, modified, redistributed or used for model training without written permission.

FROM BRIEF TO OPERATION

A clearer route from brief to operation.

We focus the first conversation on the decisions that materially change quality, cost and delivery risk.

01 / BRIEF

Share what is known

Location, purpose, target date, viewing distance, approximate size and budget range.

02 / SYSTEM

Define the right configuration

Product, pitch, brightness, control, structure, power, content and service access.

03 / PROOF

Review the real image

Compare colour, black, motion, reflection and viewing distance using relevant content.

04 / DELIVERY

Install and support

Coordinate delivery, calibration, training, spares, maintenance and content updates.

QUALIFIED PROJECT ENQUIRY

Have a live project? Let’s define the right system.

Send us the site, intended use, approximate dimensions, closest viewing distance, target date and an indicative budget. We will return with the questions, risks and system options worth resolving next.

Project location and environmentPermanent installation or rentalApproximate size and viewing distanceTarget date and operating periodContent, camera and playback needsBudget range and decision process
ABOUT X VISION

Company profile.

X Vision Co., Ltd. is a Tokyo-based LED display and audiovisual company, founded in November 2021 and led by CEO So Ikeda. We plan, specify, engineer, install, calibrate, rent, operate and maintain permanent and temporary LED video systems: fine-pitch indoor LED, MicroLED, transparent LED, outdoor LED, LED floors and custom formats. We work in Japanese, English and Traditional Chinese from a head office in Kyobashi and a showroom in Osaki, Tokyo.

CompanyX Vision Co., Ltd. (X Vision株式会社)
Founded12 November 2021
RepresentativeSo Ikeda, CEO (代表取締役 池田 爽)
Head office2F, 2-7-8 Kyobashi, Chuo-ku, Tokyo 104-0031, Japan
Showroom9F Sumitomo Fudosan Osaki Garden Tower, 1-1-1 Nishi-Shinagawa, Shinagawa-ku, Tokyo 141-0033 (by appointment)
BusinessPlanning, product selection, system design, installation coordination and calibration of permanent LED displays; LED rental and sales; product development; content and VJ; operation support and maintenance
ProductsASTRA (fine-pitch indoor), X-GOB, CORE-21 / CORE-31, MicroMESH (transparent) and others
Selected workSharp Corporation stand at Japan Mobility Show 2025 (first MicroMesh Tour deployment in Japan); permanent façade in Ginza; MicroLED installation in Komazawa; event, stage and LED-floor projects across Japan. See the Works page (Japanese)
LanguagesJapanese, English, Traditional Chinese
Contactoffice@x-vision.jp · +81-3-4577-9695
FAQ

Questions we hear before a project starts.

Short answers to the questions clients ask most often. Every project is specified from its real viewing distance, content and operating conditions.

Should we always choose the smallest pixel pitch?

No. The right pitch is the finest one that materially improves the experience at the real viewing distance. Screen size, content resolution, cabinet format, serviceability and budget must be considered together.

Does 7,680 Hz automatically mean a better picture?

Not by itself. Higher refresh can improve camera compatibility and motion, but the complete display configuration, processing, operating brightness, camera settings and calibration still determine the result.

Does HDR or Rec.2020 work with any content player?

No. Source material, player, output format, controller, display configuration and calibration must all support the intended signal. Capability also varies by product and configuration.

Is MicroMesh always lighter than another transparent LED?

MicroMesh Tour is below 8.0 kg/m² at P3.9 × 3.9 including cables, but a fair comparison must use the same area and include cabinets, power, cabling, frames and rigging.

What does X Vision include beyond the display?

Depending on scope: product selection, structural and electrical coordination, processors, signal design, installation partners, calibration, playback, content/VJ coordination, training, spares, warranty and after-support.

Can LED become more than advertising?

Yes. It can work as an architectural surface, social focal point, high-impact monitor, learning environment, interactive artwork or operational visual system when content and use are designed with the hardware.

ANATOMY · WHAT YOU ARE PAYING FOR

Two "LED walls" can look alike and cost very different amounts. Here is why.

An LED wall is not a finished product you pick off a shelf like a TV. It is a system of hundreds of thousands of LEDs, driver electronics, cabinets and power. How strictly each step is selected, checked and adjusted is what separates the picture in five years.

01How is an LED wall different from an LCD display?

An LCD blocks light from a backlight with liquid crystals and colour filters. It is a transmissive display. An LED wall is emissive: every red, green and blue LED produces its own light. Nothing sits in front of the light, so it is brighter, black is simply an LED switched off, and modules join into seamless walls of almost any size or shape.

The trade-off: picture quality is not decided by one panel finished in a factory. It depends on how well hundreds of thousands of LEDs are matched, and how precisely the wall is assembled and adjusted on site. Most of the price difference between LED walls comes from that matching, checking and adjusting.

Figure: how an LCD and an emissive LED wall are built

02Why does a finer pixel pitch cost more?

Pixels per square metre = (1,000 ÷ pitch in mm)². That is about 66,000 at P3.9, 148,000 at P2.6, 284,000 at P1.9 (1.875 mm) and 640,000 at P1.25. Each pixel is three LEDs (red, green, blue), so a square metre of P1.25 carries about 1.92 million LEDs.

Halve the pitch and the LED count roughly quadruples, along with the driver ICs, board density, assembly and inspection points. Fine pitch is expensive because every square metre has several times more parts to make and more points to check.

Figure: pixels per square metre by pitch

03What is LED binning, and what does it change?

LEDs made in the same process still vary in colour (wavelength), brightness and electrical behaviour (forward voltage). After production each LED is measured and sorted into narrow groups called bins.

Building only from narrow bins means the wall starts out even, so calibration does not have to work hard. Mixing wide bins lowers the LED cost, but the unevenness then has to be suppressed in software, which uses up brightness and grayscale headroom. The difference shows most on white or flat colours, at close range and on camera.

Figure: LED variation and narrow vs wide bins

04Why does the same white look different from one area to another?

Colour difference on an LED wall is never one cause. Several small differences stack up. Each is invisible on a single LED, but across hundreds of thousands of them they become patches, bands and visible module edges.

  • Wavelength (hue)A few nanometres turn the same green yellowish or bluish. The eye is most sensitive to green, around 555 nm, so green needs the tightest sorting.
  • BrightnessAt the same current, LEDs differ in output, so white or grey content looks blotchy.
  • Ink colour (the LED's black)When the wall is off or showing dark content, small differences in the black resin of each LED package become visible, and a switched-off wall can show a grid of modules.
  • Viewing angleRed, green and blue sit at slightly different positions inside each package, so colour shifts when you look from the side. LEDs with matched light distribution keep white looking white from an angle.
  • AgeingRed, green and blue fade at different rates, so white drifts over the years. That is why a replaced module can stand out, and why spares should come from the same lot and be colour-matched when fitted.

Some manufacturers sort red LEDs (around 625 nm) to within ±3 nm of target, a tolerance that only a small share of production meets. Tighter sorting makes LEDs more expensive, but because the wall does not rely on correction, it keeps its full brightness and grayscale.

Figure: how LED variation looks on screen (white, switched off, from an angle)

05How is an LED wall made?

A screen goes through roughly these steps. At each one, how strictly parts are selected and checked decides the uniformity and lifespan of the finished wall.

  1. LED chip productionRed, green and blue emitters are made.
  2. Measuring and binningColour, brightness and electrical behaviour are measured and sorted.
  3. PackagingChips are protected; light distribution and the look of the black are set (SMD, COB and others).
  4. Board assemblyLEDs and driver ICs are mounted and soldered.
  5. Module assembly and surfaceThe surface black is matched and reflection is reduced.
  6. Burn-inModules run for long periods so early failures appear before shipping.
  7. CalibrationColour and brightness are measured and corrected per pixel.
  8. Cabinet assembly and final inspectionCabinet precision, seams, power and signal are checked.
  9. Installation and final adjustmentThe surface is aligned on site and checked with real content and cameras.

06What separates a flagship build from a typical one?

Two spec sheets can look alike while these details decide what the wall looks like in five years. Specifications vary by product and configuration, and are confirmed in the specification sheet with every quote.

ItemTypical buildWhat a flagship build requires
LED sortingWide bins used togetherNarrow bins that match colour and brightness
Surface blackBlack can vary from module to moduleMatched black, so the wall reads as one surface even when off
Refresh rate1,920–3,840 HzUp to 7,680 Hz, less flicker on camera
Low-brightness grayscaleGradation gets coarse when dimmedDriving that holds gradation in dark rooms
Cabinet precisionSteps and gaps at the seamsPrecise cabinets that keep the surface flat
Burn-inMostly sample testingPowered testing before shipping to catch early failures
CalibrationPer module, or nonePer pixel, for colour and brightness
Power and heatMinimum capacityHeadroom that slows LED ageing
Spare partsThe same parts can be hard to find after a few yearsSame-lot spares, colour-matched when replaced

07If a quote feels expensive, what should I compare?

Compare these, not the unit price. Two quotes for the same pitch and size can differ widely in what they include.

  • The same pitch, size and brightness
  • Refresh rate and grayscale at low brightness
  • How LEDs are sorted and how the wall is calibrated
  • Number of spare modules, and colour matching when replaced
  • Warranty length, scope and response to faults
  • Whether structure, electrical work and control system are included
  • Whether content production and after-installation support are included

Send us a photo and rough dimensions and we will quote on like-for-like terms. At our Osaki showroom in Tokyo you can see the products up close, and through your phone camera.

FIELD FAILURES · WHAT GOES WRONG AFTER INSTALLATION

Why a cheap LED wall becomes expensive later.

When clients come to us after a bad experience with a previous supplier, the cause is usually one of the same few things. None of them appear on a spec sheet: assembly, heat, power, control and how the LEDs were sorted. Here are the six failures we see most often, what causes them, and how X Vision prevents them.

Figure: how six common LED wall failures look, with and without the fix

01Steps and gaps between cabinets

SymptomVisible lines or shadows at the cabinet seams. Seen from an angle, the surface looks wavy.

CauseLow-precision cabinets, mounting that ignores an uneven wall or frame, and no surface alignment on site.

How X Vision prevents itWe design from the substructure up, align every cabinet and seam after mounting, and check the result with real content before handover.

02A replaced module shows a different colour

SymptomAfter a repair, one square area looks clearly different in colour or brightness.

CauseLoosely sorted LEDs and spare modules from a different production lot. Outdoors, UV and heat "tan" the LEDs so their colour drifts year by year, which makes a new module stand out even more.

How X Vision prevents itWe build with tightly binned LEDs, keep spare modules from the same lot, and re-calibrate a replaced module to match its neighbours.

03A regular pattern of dark spots

SymptomSmall spots or shadows repeat across the screen at a fixed spacing.

CauseHeat builds up around the magnets and mounting points that hold each module, and the LEDs in front of them age faster. It happens when products ship without their thermal design being verified.

How X Vision prevents itNew products go through long burn-in testing to check for trapped heat before we adopt them, and the heat path is part of how we specify the system.

04Dimming, flicker or dropouts on bright content

SymptomThe wall dims, flickers or partly switches off whenever the image is bright.

CausePower supplies, circuits or cabling sized without headroom for the maximum load.

How X Vision prevents itWe plan power from the maximum consumption, specify supplies and circuits with headroom, and confirm them with the building early in the design.

05Banding on camera and broken gradation in dark scenes

SymptomPhone cameras pick up stripes or flicker. Dark scenes show stepped colour or ghosting.

CauseThe control system (receiving cards and processor) is not tuned to the actual LEDs, driver ICs and boards. A generic control system left at default settings cannot deliver the hardware's real performance.

How X Vision prevents itAs the manufacturer, we tune the receiving card parameters to our own driver ICs and LEDs, then verify the result on site with cameras.

06Built from mixed, unmatched parts

SymptomColour, brightness and failure rates vary from one area of the same screen to another.

CauseLEDs from different lots or unsorted LEDs, whatever driver ICs and boards are available at the time, and assembly and testing teams that change from job to job. Some products ship without validation or any on-site experience behind them.

How X Vision prevents itFor each project we fix the LED lot, driver IC and board combination, assemble, burn in and calibrate to a set procedure, and the same team stays with the project through installation.

When you compare quotes, ask each supplier how they prevent these six failures. How specific the answer is tells you what the screen will look like in five years.